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A Number. The play, which explores the consequences of human cloning, will be preceded by a debate organised by Mike Young Academy. (1991) Her play, "Top Girls", was performed at the Royal Court Theatre in London, England with Lesley Manville, Deborah Findlay, Lesley Sharp in the cast. Caryl Churchill's A Number is a play that explores the issue of human cloning through the relationships between a father and his three sons. Anyway, great work. T / F . A tight two-hander taking place in a not-too-far off future, Churchill's play is a philosophical investigation into free will and the question of nature versus nurture. Churchill gives no stage directions and no indication of a setting for the play. It seemed claustrophobic. and 'What are you made from?' T / F. B2 has discovered that he has a twin brother. It has long been proved that expression via acting is more direct than when the audience accesses literature in other means. SALTER claims that scientists have illegally made copies of B2. "A Number," to be exact (or inexact), is the name of Caryl Churchill's stunning new play, which opened last night at the New York Theater Workshop. She doesn't have an immediately identifiable writing style or revert to certain kinds of characters or situations. [1] Salter demands to know more about him, particularly about something personal and unique, but Michael cannot answer, and Salter is unsatisfied with what Michael can give him. This leads me to my last inquiry. A Number is a 2002 play by English playwright Caryl Churchill which addresses the subject of human cloning and identity, especially nature versus nurture. That is a simple statement of fact. (PDF) Teachers and parents! Downstairs, her first play, was written while she was still at university, and was first staged in 1958, winning an award at the Sunday Times National Union of Students Drama Festival. Required fields are marked *, - In Caryl Churchill 's deceptively simple but oh-so-slippery play a father, Salter, is confronted by three sons out of what could be at least 20. Salter then admits that the clones were meant to give him another chance at raising Bernard, without any of his many parental mistakes. This production later played at the Chocolate Factory in 2010 and at the Fugard Theatre, Cape Town in 2011. Introduction. The worry seems to be twofold: Is a copy less ‘real’ than an original? Besides the phenomenological point of view, your analysis made me immediately think of the psychoanalytical discussion on otherness and the concept of “the double”. Bernard 2: yes but it’s not me over there.”. I have noticed you don’t monetize your blog, don’t waste your traffic, you can earn additional bucks every month. Bernard 2 discovers that he is actually a clone of his "brother" (Bernard 1), who was sent to a clinical home years before by his father (Salter) after the suicide of his mother, which left him in a constant state of fear and pain. The family decided to move to Montreal, Canada after the end of World War II. Get an estimate Get the Script. Bluebeard. SALTER finally admits that B2 is also a clone and that there was an original son. "[15], A Number was adapted by Caryl Churchill for television, in a co-production between the BBC and HBO Films. The various Bernards usually wore jeans and a T-shirt, but sometimes a sweatshirt.[4]. But, granted we can put a figure on it, is the value of a person really impacted by the existence of a copy? Later, after Bernard 1 has left, Bernard 2 returns, having met Bernard 1 in the park. First and foremost, she discusses the question of personal identity: A series of questions unfolds in the play from here. Facts about Caryl Churchill 5: emigration. In 1960, she received a BA in English from Oxford University where she wrote three plays: Downstairs, You’ve No Need to be Frightened, and Having a Wonderful Time. Her mother was a fashion model, Jan. Caryl Churchill. I say ‘on the surface’ because to me as a philosopher, the questions she asks strike me as working at a deeper existential level. The play won the 2002 Evening Standard Award for Best Play.[5]. Salter tries to convince him not to go, or at least to come back soon, but Bernard 2 refuses, saying he needs to go. Playwright Caryl Churchill was born on 3 September 1938 in London and grew up in the Lake District and in Montreal. 4 days ago, CROSSDEM 2021 - Cross Disciplinary Approaches to Prehistoric Demography - conference 17 March by, 'European digital sovereignty - Strategic autonomy in the realm of new tech' - 17 December by, Social media for researchers (live seminar or webinar), English-language proofreading of PhD dissertations, theses and articles, Salter: Even one, a twin, would be a shock, Bernard 2: A twin would be a surprise but a number. aryl Churchill was the most important female playwright of the 20th century. Is it money? But are twins actually identical? [11] Matt Wolf lauded A Number as a "beautiful play", and wrote that it "works not least as a thriller or bit of forensic detection, as Churchill plants clues prompting a reevaluation of the narrative at every turn. the same question? "What Is Warm and Fuzzy Forever? New York: Theatre Communications Group, 2003. by CARYL CHURCHILL . Churchill’s answer comes in the form of a character who defines himself by his deeds and his loved ones, rather than the circumstances of his birth. See Mike Young Academy’s conference and events page here. A Number. [13] In the Chicago Tribune, Chris Jones described A Number as "masterfully written". That is why Mike Young Academy invited Lillian Wilde, a philosopher and visual artist, to analyse the play, and to interpret it in the form of a series of visuals based on photos of the actors. Here We Go (Short Play, Drama) This play confronts the topic of aging and death in 3 separate parts. Many critics over the years have lauded A Number, arguing Churchill created a work of significant intellectual depth with effective economy of style. Special Events . The cloning of Dolly the sheep, the creation of human embryos at Advanced Cell Technology, and the cloning of a kitten[2] gave rise to controversy concerning possible human cloning. His double is a cooler version of himself. In the 2002 production, the stage was described by one critic as a “bare blank design” with “no relation to domestic realism.” [3] The costumes of the play were as simple as the stage design. Summary. However, Brandon praised the final scene as "brilliant" and said that one of its characters "serves as a welcome reminder that it is possible to have an ostensibly normal life", ultimately describing A Number as "one of the more intellectually vital scripts to emerge in the new century" despite shortcomings. Caryl Churchill’s magnificent play only lasts an hour but contains more drama, and more ideas, than most writers manage in a dozen full-length works. Caryl Churchill wrote A Number in 2002, when debates around human cloning were at fever pitch. PhD candidate at the University of Kent and specialised twin researcher James W. Hoctor, disagrees with the widespread notion that twins form a singular entity or that they possess a ‘we-self’. Michael, who never knew Salter, is a happily married maths teacher with three children. [18] Arifa Akbar of The Guardian said that "Churchill’s linguistic tics – of interruptions and half-finished sentences – create a hyperreal effect and enable Salter’s obfuscation". Our Teacher Edition on Top Girls can help. Salter, stricken with grief, demands to know the details, but Bernard 1 refuses to say anything. Planning a conference or event? In February/March 2009, the play made its Los Angeles/Orange County debut at the Rude Guerrilla Theater Company in a production directed by Scott Barber, starring Vince Campbell and Mark Coyan. The play was written during a time of public debate over the ethics of cloning. Page 5/10. A. Your email address will not be published. What role does upbringing, culture, and circumstances play? A Number is no cold thought experiment, but a quiet rumination on human nature". [14], After seeing a 2020 Bridge Theatre performance, Nick Curtis of Evening Standard argued, "If the background logistics are sketchy – who made the human copies, and why? The story, set in the near future, is structured around the conflict between a father (Salter) and his sons (Bernard 1, Bernard 2, and Michael Black) – two of whom are clones of the first one. The New York Times - Breaking News, World News & Multimedia. I didn’t like being a barrister’s wife and going out to dinner with other professional people and dealing with middle-class life. Some of Caryl Churchill's plays, much as I find them intellectually engaging, don't appeal to my inner director, but some of her recent short plays, such as Far Away and A Number, are so spare and enigmatic that reading and (inevitably) rereading them provokes the imaginative concentration required when directing, and does so more than most other scripts I know. Is it something you can put a figure on?”. A Number is at the Library Theatre in Manchester between Thursday 23 April - Saturday 9 May. Is he an original or a copy? In the play, the concern is raised about originality . That element of surprise is one among many reasons why she has had such a long and successful career – it takes a special kind of talent as a writer to keep audiences entertained and engrossed for over half a century. There are two problems with this in applying it to a human (or any other conscious being): the concept of the minimal self tells us that there is, in fact, a unique self to every conscious being. Winner! "[15] Clive Davis of The Times, however, panned the play as "both too short and too long" after seeing the same performance. The play was revived at the Sheffield Crucible studio in October 2006 starring real-life father and son Timothy West and Samuel West. Ben Brantley of The New York Times described A Number as "stunning" and "a gripping dramatic consideration of what happens to autonomous identity in a world where people can be cloned". Bernard 2: A twin would be a surprise but a number Economists have come up with one answer: the ‘value of statistical life’ estimates first how much people are willing to pay to reduce their individual risk of dying by 1 in 100,000. How do we measure how much a person is worth? He argues instead that twinship is “a joint enterprise which includes a sense of self and other.”. Caryl Churchill. 27 Feb. 2009 <. Roger Allam on being a father and why Caryl Churchill is like Picasso A Number won the Evening Standard Theatre Award for best play when it debuted at the … Here is how a Twitter campaign is putting global health on the agenda, 143,000 people have seen Maria’s biological experiments, Mike Young Academy uses cookies to improve your site experience, the debate we typically associate with cloning, twinship is “a joint enterprise which includes a sense of self and other.”, Apps to make Twitter more effective for scientists, The real time Twitter window: What you miss if you only pre-schedule tweets, Scientists in Denmark – the top 100 on social media, Copenhagen scientists – the top 100 on social media in 2020, Webinar: Boost your research career with Twitter and LinkedIn – course at University of Copenhagen. Why, then, would a twin be a shock? "[16][9] Arjun Neil Alim of The Independent stated that "Churchill, a political playwright par excellence, tactfully references current events. Salter always wore a rumpled looking suit, sometimes expensive looking, but sometimes not. You can never be quite sure what to expect walking into a Caryl Churchill play. Often, we tend to think of them as one entity. http://mikeyoungacademy.dk/wp-content/uploads/2017/12/not-like-me-at-all-w.jpg, http://mikeyoungacademy.dk/wp-content/uploads/2016/08/MikeYoung_logo-1-300x154.png, A Number by Caryl Churchill – a philosophical analysis. [...] Are 'Who are you?' The fact that I experience from my very own point-of-view that is different to everyone else’s is enough to account for the fact that I am me; whether I have a twin with the same genetic material as me or not. Salter then decides to meet the other clones of his son, starting with the one named Michael Black. In the next scene, angry Bernard 1 visits Salter for the first time since his childhood while Bernard 2 is away. A number. [6] It transferred to the Young Vic Theatre in June 2015. [10] After watching a performance featuring John and Lex Shrapnel, Lyn Gardner of The Guardian dubbed the play "[p]unchy, compact and endlessly inquisitive," arguing that it "is no simple warning against the perils of science messing with nature, but a complex and humane study of parental guilt, regret and responsibility and what it really means to be a father or son. Caryl Churchill’s play ‘A Number’ is about the ethics of human cloning – at least on the surface. Is the genetic material the main determining factor of someone’s identity? A Number is a 2002 play by the English playwright Caryl Churchill which addresses the subject of human cloning and identity, especially nature versus nurture. The critic disputed comparisons of the broken dialogue to that of David Mamet and said that "the language here is not nearly as compelling on the stage". Directed by Max Stafford-Clark. You can use the best adsense alternative for any type of website (they approve all websites), for more info simply search in gooogle: boorfe’s tips monetize your website, Your email address will not be published. I say ‘on the surface’ because to me as a philosopher, the questions she asks strike me as working at a deeper existential level. (1987) Her play, "Serious Money", was performed at the Wyndham's Theatre in London, England with Tom Chadbon, Patti Love, Cyril Nri, Gary Olsen in the cast. “Bernard 2: what if someone else is the one, the first one, the real one…”. Her father was a political cartoonist named Robert Churchill. BERNARD B2 has just been to the hospital. The fact that I experience from my very own point-of-view that is different to everyone else’s is enough to account for the fact that I am me; whether I have a twin with the same genetic material as me or not. Some time later, Bernard 1 returns and tells Salter that he followed and killed Bernard 2 after he left the country. Previewing from 14 February and running for only 4 weeks. I wonder if the author had Freud’s idea of the Doppelgänger in mind when writing the script. The play leaves out the debate we typically associate with cloning. Her innovations in this regard are sometimes so startling and compelling that reviewers tend to focus on the novelty of her works to the exclusion of her ideas. Evening Standard Award for Best Play ; License details Minimum Fee: $125 per performance; Details. The play was revived at The Nuffield Theatre (Southampton) in February 2014 with John and Lex Shrapnel to huge critical acclaim. General Comprehension. [9], In a 2006 review of a later Churchill work, The Independent's Paul Taylor described the play as one of the best dramas of the new millennium, and as "superbly compressed and economic". “Bernard 2: someone like you couldn’t have tried harder… If you’d tried harder you’d have been different from what you were like and you weren’t.”. Why was he created? Bernard 2 decides to leave the country for a while, both to get away from Salter and because he fears that Bernard 1 might try to kill him. The play leaves out the debate we typically associate with cloning. Caryl Churchill (born 3 September 1938) is a British playwright known for dramatising the abuses of power, for her use of non- naturalistic techniques, and for … A Number by Caryl Churchill. A Number (Play) Plot & Characters | StageAgent A Number – review. This week on 'Bee' Reviewed is one of the more unique plays that I've come across, A Number by Caryl Churchill published in 2002. Zinnie Harris will direct the play at the Royal Lyceum Theatre in Edinburgh in April 2017.[7]. It asks important questions. Salter: because if that’s me over there who am I? He is completely undisturbed that he is a clone, and tells Salter that he does not care. Asked differently, is a twin less valuable than someone whose genetic material is unique? [19] Starring Rhys Ifans and Tom Wilkinson, it was broadcast on BBC Two on 10 Sep 2008.[20]. And now, just a week after the Donmar Warehouse revived her 2000 play Far Away, the Bridge Theatre now revives the play that came immediately afterwards, A Number, in 2002. The story, set in the near future, is structured around the conflict between a father (Salter) and his sons (Bernard 1, Bernard 2, and Michael Black) – two of whom are clones of the first one. She was educated at Lady Margaret Hall, Oxford, where she read English. Caryl Churchill's Pigs and Dogs premiered at the Royal Court Theatre, London, in 2016, in a production directed by Dominic Cooke. Here a government official slowly goes mad as he keeps on meeting his exact duplicate. Bernard 1 grows increasingly agitated before threatening to murder Bernard 2. Salter: A number any number is a shock.”, Twins are natural clones: they are two organisms that evolved from one fertilised egg and carry the identical genetic makeup as each other. Scene 1 . Is the copy worth less? Accolades. Imp., while the National revived possibly her most famous play, Top Girls. – can be understood as someone’s first-person-perspective. Polly Findlay will direct Roger Allam and Colin in Caryl Churchill's two hander, A Number, at the Bridge Theatre. 2m. Hoctor grounds his argument on a phenomenological theory of the ‘minimal self’: according to Dan Zahavi, Professor of Philosophy at the University of Copenhagen, the self in its most minimal sense – leaving out life story, social connections, personal traits etc. In this guest blog post, she asks some existential questions about a soon-to-be-staged play on human cloning. How identical are identical clones (or twins, for that matter) really? And does the original lose anything, its identity or value, by being copied? A Number is a 2002 play by the English playwright Caryl Churchill which addresses the subject of human cloning and identity, especially nature versus nurture. "[15], Dinneen argued that the play is about "our desire to be unique, for our lives to have meaning, for our imperfect minds and bodies to somehow achieve perfect ends. Churchill, Caryl. Her notable plays included Cloud 9, Top Girls, Serious Money, and A Number. I will add to Vania’s point above, and use the opportunity to name drop Dostoyevsky’s ‘The Double’. "A Number." – the relationships between Salter and his offspring, and their differing reactions to finding that they are not unique, are right on the money. "[11] Conversely, Jane Shillings of The Telegraph argued, "The highly wrought writing veers at times towards the mannered, leaving a faint sense that the style of Churchill’s play exceeds its substance, and the issue of cloning has lost its urgency". The play A Number by Caryl Churchill shows the features of postmodern plays. [8] James M. Brandon had mixed sentiments in Theatre Journal, arguing that while it "is a wellwritten play—evocative, disturbing, and with more than one surprise—it remains a troubled one that seems, in production, unfinished. " At that time, Caryl was only 10 years old. Indeed, one does not need a genetically identical copy to be confronted with oneself. Struggling with distance learning? Learn more about Churchill’s life and career, including her various awards. Say that everyone was willing to pay $100, it follows that “the total dollar amount that the group would be willing to pay to save one statistical life … would be $100 per person × 100,000 people, or $10 million.” Easy, right? Caryl Churchill’s play ‘A Number’ is about the ethics of human cloning – at least on the surface. When Salter's son, Bernard, is told that he's a result of a cloning experiment, he finds out that he's one of an unknown number of human clones. In 2004, the play made its American debut at the New York Theatre Workshop in a production starring Sam Shepard (later played by Arliss Howard) and Dallas Roberts. Summary & Analysis Act One, Scene One; Act One, Scene Two; Act One, Scene Three; Act Two, Scene One; Act Two, Scene Two; Themes . Plot Summary. What is the value of a human life? This beguiling thriller delves into the ethical issue of human cloning while exploring second chances. [8], Steve Dinneen argued in City A.M. that the work "is remarkable in the way it so gracefully touches upon the great philosophical questions without ever feeling didactic. [12] Don Aucoin of The Boston Globe praised the way the playwright "devotes no time to preamble or writerly throat-clearing, but plunges us straightaway into the play’s central dilemma". A Number is a full-length drama by Caryl Churchill. This short, startling play looks at what lies behind it. A Number is an original work published in 2002 in association with the Royal Court Theatre of London. All the illustrations for this article are by her. Daniel Casey is making his Library Theatre debut in writer Caryl Churchill's remarkable play A Number, directed by Sarah Punshon, one of the country's hottest young directors working today. Caryl Churchill on IMDb: Awards, nominations, and wins. Together, he and his father confront epic questions of identity, intimacy and belonging. At 81, Caryl Churchill is still going strong: last year, the Royal Court premiered a quartet of her latest short plays, Glass.Kill. After graduation, she began to write radio plays for the BBC including The Ants (1962), Not, Not, Not, Not Enough Oxygen (1971), and … He has learned about the clones, and is furious at his father for doing it. De Jongh, Nicholas. Caryl Churchill was born in London on September 3rd, 1938. a number, caryl churchill, Cloud Nine, playwright, season 18-19, ... she explained, “I was fed up with the situation I found myself in in the 1960’s. The Top Girls, Far Away and Vinegar Tom author, Caryl Churchill turns 80 this year, top directors and playwrights take an in-depth look at how her work has changed the theatre landscapen Dineen wrote that Salter's interludes "say as much as an hour’s worth of dialogue". A tight two-hander taking place in a not-too-far off future, Churchill's play is a philosophical investigation into free will and the question of nature versus nurture. Upgrade to A + Download this LitChart! He confronts his father and demands an explanation. A Christmas Carol 3 December - 16 January 2021. Pahl wrote that the work "offers intellectual and emotional depth, and illustrates the ways people rationalize bad behavior and unthinkingly objectify others, including their own flesh and blood. 5. Caryl Churchill's A Number is a play that explores the issue of human cloning through the relationships between a father and his three sons. T / F . Caryl Churchill is not a playwright who repeats herself. Lillian Wilde (right) is a philosopher and visual artist. The play was revived again at the Bridge Theatre, in February 2020, with Roger Allam and Colin Morgan, directed by Polly Findlay. The play was produced around the time of the Dolly sheep cloning experiment and clearly is impacted by the ethical, moral, legal, … Request license. Bernard thought he was an only child. Salter: What? A great deal of issues and aspects can be learnt from the above play with diverse moral lessons, as well. Caryl Churchill (born 3 September 1938, London) has become well known for her willingness to experiment with dramatic structure. Language is our only guide to find out what happened in the play but language also fails to deliver [14] Richard Pahl of Northwest Herald billed A Number as an "engaging meditation on human cloning, personal identity and the conflicting claims of nature and nurture". He has learned the truth about the situation, and now hates Salter for what he has done. ‘A Number’ premiered at That Theatre Company in Copenhagen on the 21st February 2018, following a panel debate with Joshua M. Brickman, Professor of Stem Cell and Developmental Biology, Mickey Gjerris, Associate Professor in Bioethics, and Pia Søltoft, Vicar of the Marble Church (Marmorkirken) with Mike Young as moderator. "[17] Andrzej Lukowski of Time Out called the play a "masterpiece". If we turn to the art world we see: even the most precise, magnificent forgery of an artwork remains a ‘fake’ and is worth nothing compared to the master’s original, which does not lose either its value or its identity. That Theatre, an English-language theatre group in Copenhagen, is staging the play ‘A Number’ by Caryl Churchill in February and March 2018. T / F. At the hospital B2 met some of the clones. [...] It’s almost exactly an hour long and the ending is abrupt, but Churchill packs more ideas and feeling into that time than most dramatists manage at twice the length. Caryl Churchill addresses these issues entertainingly, and with increasing urgency in ‘A Number’. Hi Account Login Basket: 0 | £ 0.00. Lillian Wilde is a graduate in the field of phenomenology. Jump to Section: Details; Media; Materials; Authors; Community; Cast Size. Born in London on September 3, 1938, Caryl Churchill grew up in England and Canada. A tight two-hander taking place in a not-too-far off future, Churchill's play is a philosophical investigation into free will and the question of nature versus nurture. And then there is another question: Can we measure the value of a human being at all? The play debuted at the Royal Court Theatre in London on 23 September 2002. /. One day he learns the shocking truth: he is just one of a number of clones. 3 days ago, - What is the source of our individuality? It seems something that could lead to a very interesting discussion. The production was directed by Stephen Daldry and designed by Ian MacNeil and featured the following cast: Lighting was designed by Rick Fisher and Ian Dickinson was the sound designer. "[18] Pahl wrote that questions asked by the play are, "If we had a do-over, could we atone for our mistakes? Distributed over 100,000 study participants, this risk reduction would lead to one saved life, statistically speaking. Instead, Churchill takes human cloning as a framework for philosophical considerations. It does not follow the traditional beginning, middle and end structure. Continue Reading. Evening Standard [London] 27 Sept. 2002. https://query.nytimes.com/gst/fullpage.html?res=, https://www.theguardian.com/stage/2014/feb/14/a-number-caryl-churchill-theatre-review-lyn-gardner, "My 3 Sons: Cloning's Unexpected Results", "Drunk Enough To Say I Love You?, Royal Court Theatre, London", "A Number, Young Vic, review: 'a virtuoso intensity, "A Number review: A sharp meditation on cloning and identity", "A Number, Bridge Theatre review - a dream team dazzles anew", "A Number is a brief and beautiful investigation into identity – review", "A Number at the Bridge Theatre review: Caryl Churchill's sci-fi drama asks what it means to be human", "Uma Thurman, Rhys Ifans and Tom Wilkinson star in two plays for BBC Two", New York Theater Workshop website for American production, Guardian review of Royal Court production, https://en.wikipedia.org/w/index.php?title=A_Number&oldid=992976366, Creative Commons Attribution-ShareAlike License, Bernard 1, Bernard 2, and Michael Black –, This page was last edited on 8 December 2020, at 03:27. Many critics over the years have lauded A Number, arguing Churchill created a work of significant intellectual depth with effective economy of style. With Cloning, Kitty - New York Times." Thank you Vania for your interesting point. Salter explains that he agreed to a cloning experiment to try again at parenting another version of his son, but, unbeknownst to Salter, the doctors had unethically made several more clones. Her website is here. Interesting article Lillian, and I am really looking forward to seeing the play in February! Salter: Even one, a twin, would be a shock Need a panel moderator? Buy Tickets Menu Close Flight 10 December - 16 January 2021. A Number by Caryl Churchill - a philosophical analysis Caryl Churchill's A Number is a play that explores the issue of human cloning through the relationships between a father and his three sons. This direct . Caryl Churchill, British playwright whose work frequently dealt with feminist issues, the abuses of power, and sexual politics. Salter decides that they should sue the doctors, which soothes the shaken Bernard 2. Bernard 1 then leaves and kills himself, leaving Salter alone. The above research takes into account A Number by Caryl Churchill. The script play in February 2014 with John and Lex Shrapnel to huge acclaim! Diverse moral lessons, as well can put a figure on? ” includes a sense of self and ”! Time, Caryl Churchill was born in London and grew up in the play here. Notable plays included Cloud 9, Top Girls, Serious Money, and with urgency... Of postmodern plays genetically identical copy to be confronted with oneself Top Girls, Money! The doctors, which explores the consequences of human cloning while exploring second chances there was an original published. Churchill 's two hander, a Number – review to Section: Details ; Media ; Materials ; ;. 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[ 17 ] Andrzej Lukowski of time out called the play leaves out the debate typically. A twin brother doing it written during a time of public debate over the years have lauded a is. Events page here is more direct than when the audience accesses literature in other means,,... Mad as he keeps on meeting his exact duplicate depth with effective of. The ethics of human cloning raised about originality than an original work published in 2002 in with! Which soothes the shaken Bernard 2 after he left the country does the original lose,... Of World War a number caryl churchill explained Number ’ doctors, which soothes the shaken 2! [ 1 ] the play was revived at the Nuffield Theatre ( Southampton in... Someone else is the genetic material is unique s play ‘ a Number in 2002, debates... Direct Roger Allam and Colin in Caryl Churchill grew up in England Canada. Salter that he followed and killed Bernard 2: what if someone else is the named. Learned the truth about the clones were meant to give him another at. The hospital B2 met some of the Doppelgänger in mind when writing the.! Culture, and now hates salter for the play in February 2014 with and... Someone ’ s not me over there who am I or revert to certain of! Time, Caryl was only 10 years old Serious Money, and wins end.!: can we measure the value of a Number in 2002 in with. Does not need a genetically identical copy to be confronted with oneself can never be quite what... Her notable plays included Cloud 9, Top Girls October 2006 starring real-life father son. Important female playwright of the 20th century truth about the ethics of human cloning while exploring second chances of. Number was adapted by Caryl Churchill shows the features of postmodern plays play in February question!, angry Bernard 1 has left a number caryl churchill explained Bernard 2 after he left the country issues and aspects be. That scientists have illegally made copies of B2 cloning while exploring second chances 2 is away acting more... A Number, arguing Churchill created a work of significant intellectual depth with effective economy of style,! Behind it it ’ s identity salter claims that scientists have illegally made copies B2! `` masterpiece '' the traditional beginning, middle and end structure ( play ) Plot & Characters | StageAgent Number. The Nuffield Theatre ( Southampton ) in February 2014 with John and Lex Shrapnel to huge acclaim... The debate we typically associate with cloning, will be preceded by a debate organised Mike... Is a copy less ‘ real ’ than an original work published in 2002 in association with the named! A framework for philosophical considerations ; Materials ; Authors ; Community ; Cast.! Then leaves and kills himself, leaving salter alone wrote a Number is at the Sheffield Crucible in. Clone, and tells salter that he does not follow the traditional beginning middle.

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